Designed for modern living

Always delighted by and drawn to new things, George Nelson foresaw trends in the post-war American home that make his designs still fit the way we live now.

George Nelson, Portrait

What he saw then was the proliferation of belongings after World War II—all of which needed to be stored. He saw that society was becoming more mobile and that furniture suites designed to fill specific rooms didn’t work well anymore. What happens to those pieces when we move and they don’t fit?

His answer to the problem was systems of modular components. He first explored the idea with the Storage Wall, partitions created of prefabricated, modular storage units designed by Nelson and Henry Wright in 1944, when they were co-managing editors at Architectural Forum. From that sprang the Nelson Basic Cabinet Series.

Magazine spread featuring a text introduction to the Nelson storage wall with three accompanying images of a woman standing in front of the wall of cabinetry and modeling the system’s storage components.

The Nelson Basic Cabinet Series has its antecedents in the Storage Wall, designed by George Nelson and Henry Wright in 1944 and featured in Life magazine in 1945.

Like the Storage Wall, the Basic Cabinet Series, launched in 1946, was modular, but it was a more manageable and personal approach to accommodating changing needs for storage and surfaces. At the time, the cabinets were designed to rest on the floor or on the Nelson Platform Bench, although that’s no longer recommended, and came in a wide variety. “The collection is spiced with such unusual designs as the theater-lighted vanity, the unique home desk, radio-phonograph cabinet, the extension-tray coffee table, the reclining storage headboard—exciting and different!” Nelson enthused in a 1948 brochure.

The beauty of the design was in its versatility; the interchangeable components let people tailor storage to fit any room. Even better, the approach allowed people to start with one or two pieces and expand over the years, confident that the solution would last a lifetime, thanks to craftsmanship, the modular design, and standardized dimensions that remained constant throughout the years.

Red, black, and gray graphic renderings of various combinations of the Nelson Basic Cabinet Series surround promotional text that curves through the advertisement.

All the pieces that debuted as part of the series in 1946 coordinated in size, shape, and design to create a custom-made, built-in look.

 

Herman Miller 1948 Catalog

The different types of pulls that were available on the Nelson Basic Cabinet Series when it first launched.

Perhaps more than any of his other designs, the Nelson Basic Cabinet Series reflects a central tenet of modernism and of Nelson: Let the materials and techniques speak for themselves. Nelson’s design still does that today, offering an ingenious solution that helps people make the most of how they actually live. 

“Design is a response to social change”

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